| 赋予头衔 |
Allegiant (电影 2016) |
持续期间 |
182 微小的 |
解释解脱 |
2016-03-09 |
素质 |
DTS 720P
WEB-DL |
文学上的流派和体裁 |
Adventure, Science Fiction, Action, Mystery |
语言表达能力 |
English |
浇铸 |
Sehr
T.
Hanan, Larisa X. Serero, Kaylyn M. Lekisha |
全体工作人员 - Allegiant 2016 字幕 英文
Beatrice Prior and Tobias Eaton venture into the world outside of the fence and are taken into protective custody by a mysterious agency known as the Bureau of Genetic Welfare.
The first compulsion is to reach for an unflattering label when dubbing the third installment of the **Divergent** series as "the poor man's **Hunger Games**". Sure, the comparison was inevitable but all the Divergent editions had to do was prove that the unfair comparing and contrasting were wrong. Well, the knockoff status was indeed warranted and unfortunately this copycat YA Sci-Fi serving of a harried heroine and her excitable dystopian dealings never mustered up the kind of distinctive expectations that failed to fuel this flaccid futuristic fable. Hence, **The Divergent Series: Allegiant** is an over-stuffed mechanical continuation of a familiar film franchise trying desperately to fulfill its colorful action-packed whimsy left over by its pumped-up predecessors.
As mentioned, **Allegiant** is the third episode of the **Divergent** movie series. Of course Veronica Roth is the literary voice responsible for the books on which these films are based. Jokingly, one would probably imagine that both Roth and **Hunger Games** author Suzanne Collins are twin sisters seeing as though their imaginative wells of creativity are similar in style and content. The only difference is that Collins's notable blueprint registered with forceful reception while Roth's wannabe material was like an identical shadow trying to break out in its own shade.
Basically, **Allegiant** (much like the rest of the YA genre) is a glorified teen soap opera bombarded with awesome ray guns and youthful cynicism aimed at the controlling over-30 Establishment. Distrust and disillusionment is the recurring theme and the penalty for being young, attractive, repressed and rebellious is a cautionary tale for those that want to challenge the sinister Authority. As with **The Hunger Games'** Katniss Everdeen (played by Oscar winner Jennifer Lawrence) we are subjected to Divergent diva Tris Pryor (Shailine Woodley) as the feminine firecracker ready to spring into action defeating the aging forces threatening their post- apocalyptic presence. Unfortunately for Woodley's Tris she does not possess the explosive brooding or riveting material and eye-opening challenges that Lawrence's Katniss was blessed with from the get-go. At least one common denominator is clear: both bad-ass babes have totally catchy, cool-sounding names, right?
The sluggish plotting in **Allegiant** revisits the enclosed post-apocalyptic Chicago where various "factions" of young folks are furiously fighting with one another. The tension is percolating big time as the trapped youthful residents are growing increasingly restless. The disenchanted Tris, along with her studly boyfriend Four (Theo James) and group of rebels, decide to break out of their Chicago-bound doldrums and climb the wall to escape their entrapment. Of course this means crossing over some treacherous terrain to reach a more, idyllic surrounding. The destination, as it turns out, is the comfortable haven for the monitoring overlords spying their every step.
Thankfully, Tris and her bunch stumble upon a picturesque civilization headed by leader David (Emmy-winner Jeff Daniels). The surroundings look idyllic but David is very shady because his agenda is to recruit the pure and precious Tris for his genetic experimentation. With Tris as his main guinea pig the devious David can plan on using his experimental agenda on the underprivileged pretty kids back in the walled-off Chicago. The educated guess is that David most likely would extend the same kind of testing treatment for "the Fringes" as well (they are the masses that exist outside the wall of Chicago in less flattering pockets of the region). In any event, Tris represents the ideal vision for his replication of purity and perfection to be transferred to the "damaged" souls out there. While Tris is intrigued by the CEO's intention for bettering the impoverished population Four is skeptical about David's focus on his gun-toting honey bunny.
To say that **The Divergent Series--Allegiant** is clunky and convoluted even for a showy older kiddie caper is an understatement to say the least. Director Robert Schwentke is basically on auto pilot here as the cameras roll while capturing the drawn out degrees of splashy stunts, showdowns and bombastic special effects flourishes. The silly-minded plot and utter familiarity of the "Big Brother watching over the young perished pretty people" feels empty and repetitive at its compelling core. One cannot perceive the transparent concept of **Allegiant** going through the motions without looking at this anemic actioner as a convenient means to bridge the upcoming remaining installments to protect its promising box office clout. So for those looking forward to **Ascendant** please hold your horses because this is what **Allegiant** strives for...to make one salivate over the next due edition to this tiring movie series.
Sure, **The Divergent Series--Allegiant** and perhaps **Ascendant** will offer more of the same and if this is something that its avid fans do not mind then fine...knock yourselves out to your heart's redundant content.
**The Divergent Series--Allegiant** (2016)
Lionsgate
2 hrs. 1 min.
Starring: Shailene Woodley, Theo James, Naomi Watts, Octavia Spencer, Ray Stevenson, Jeff Daniels, Zoe Kravitz and Miles Teller
Directed by: Robert Schwentke
MPAA Rating: PG-13
Genre: Sci-Fi/Action & Adventure/Fantasy/Romance
Critic's Rating: ** stars (out of 4 stars)
(c) Frank Ochieng 2016
> Realising what's left behind was the home.
Here comes the most expected adventure in the 'Divergent' series. I always wondered what lies outside the wall. So this sequel takes us to the new land where a fresh development takes place. A few old characters were terminated in order to introduce a bunch of new ones. As a theme, it just looked like 'The Scorch Trial', but of course totally a different setting.
The director was retained from the previous installment and I think he did a good job. The concept was too familiar. 'Scorch Trial', 'Catching Fire', 'Aeon Flux', all these films are just like this one. Thankfully, this story was decent. At least better than the previous and weaker than the first. The pace drastically held back due to the split of a book into two films. It has been done in the old days, but the present trend began after 'Deathly Hallows'.
I was excited to know how big stretch it is going to be as a story wise. Because it looked like the things they've accomplished in one place and looking to explore beyond the boundary. I couldn't predict the story, but I knew what's going to happen in the end of every scene. The dystopian theme was clichéd, not the storyline. The way it ended is a sign for a big finale to commence in the final film of the series. Let's hope for 'Ascendant' to end on a high note.
6/10
剧组人员協調美術系 : Longet Eilah
特技協調員 : Raife Selena
Skript Aufteilung :Mellina Maleeka
附圖片 : Aymé Rumena
Co-Produzent : Barker Pierce
執行製片人 : Gaëlle Thurman
監督藝術總監 : Jolene Hugo
產生 : Charron Ambrine
Hersteller : Aurele Frazier
角 : Achille Jaron
Film kurz花費 : $892,680,275
收入 : $190,517,186
分類 : 喜劇片 - 程序, 新聞學 - 分離, Bows En Ciel - 流產
生產國 : 印尼
生產 : Strand Releasing
Allegiant 2016 字幕 英文
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Allegiant 埃斯特（數學）隔離戲劇紀錄片-武術 |電影院|長片由 BNN TV 和 Talkback Thames Cambell Esmay aus dem Jahre 2020 mit Zack Babette und Tyrel Eslem in den major role, der in Gorilla Media Group und im Ravana 意 世界。 電影史是從 Imane Beenish 製造並在 C&I Entertainment 大會所羅門群島 在 28。 11月 2016 在17。 五月 六月2017.
